Twentieth-century music in the West : an introduction /
This is the first introductory survey of twentieth-century music in the West to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined and sets them in a wide variety of social and critical contexts. The book comprises four sections -- Histories,...
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Main Authors: | , , , |
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Format: | Book |
Language: | English |
Published: |
Cambridge, United Kingdom ; New York :
Cambridge University Press,
2022.
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245 | 0 | 0 | |a Twentieth-century music in the West : |b an introduction / |c Tom Perchard, Stephen Graham, Tim Rutherford-Johnson, Holly Rogers. |
246 | 3 | |a 20th-century music in the West | |
264 | 1 | |a Cambridge, United Kingdom ; |a New York : |b Cambridge University Press, |c 2022. | |
264 | 4 | |c ©2022 | |
300 | |a xiv, 479 pages : |b illustrations, music ; |c 25 cm | ||
336 | |a text |b txt |2 rdacontent | ||
337 | |a unmediated |b n |2 rdamedia | ||
338 | |a volume |b nc |2 rdacarrier | ||
340 | |p illustration |2 rdaill | ||
340 | |p music | ||
504 | |a Includes bibliographical references (pages 400-449) and index. | ||
505 | 0 | |a Introduction -- Part I. Histories: 1. Place and space, local and global ; 2. Modernism ; 3. Postmodernism ; 4. Canons -- Part II. Techniques and technologies: 5. Work and notation ; 6. Rhythm and time ; 7. Harmony ; 8. Instruments -- Part III. Mediation: 9. Recording and production ; 10. Copyright and the music industry ; 11. States and markets ; 12. Music and the moving image -- Part IV. Identities: 13. Gender and sexuality ; 14. Race and ethnicity ; 15. Audiences, class and consumption ; 16. Centres and peripheries. | |
520 | |a This is the first introductory survey of twentieth-century music in the West to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined and sets them in a wide variety of social and critical contexts. The book comprises four sections -- Histories, Techniques and Technologies, Mediation, Identities -- with sixteen thematic chapters. Each of these explores a musical or cultural topic as it developed over many years, and as it appeared across a diversity of musical practices. In this way, the text introduces both key musical repertoire and critical-musicological approaches to that work. It historicises music and musical thinking, opening up debate in the present rather than offering a new but closed narrative of the past. In each chapter, an overview of the topic's chronology and main issues is illustrated by two detailed case studies--back cover. | ||
650 | 0 | |a Music |y 20th century |x History and criticism. |0 sh2001000180 | |
650 | 0 | |a Music |y 20th century |x Analysis, appreciation. |0 sh 85088770 | |
650 | 0 | |a Music trade |x History |y 20th century. |0 sh 85088944 | |
650 | 0 | |a Music |x Social aspects |x History |y 20th century. |0 sh 85088891 | |
700 | 1 | |a Perchard, Tom, |d 1976- |e author. |0 n 2006022366 | |
700 | 1 | |a Graham, Stephen |c (Musicologist), |e author. |0 n 2016010635 | |
700 | 1 | |a Rutherford-Johnson, Tim, |e author. |0 no2012139737 | |
700 | 1 | |a Rogers, Holly |c (Professor of music), |e author. |0 no2014069241 | |
776 | 0 | 8 | |i Online version: |t Twentieth-century music in the West |b [1.] |d Cambridge, United Kingdom ; New York : Cambridge University Press, 2022 |z 9781108680899 |w (DLC) 2021059609 |
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