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|a PN2091.S8
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|a 792.02/5
|2 22
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| 090 |
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|a PN2091.S8
|b C28 2004
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| 100 |
1 |
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|a Campbell, Drew.
|0 no 99060924
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| 245 |
1 |
0 |
|a Technical theater for nontechnical people /
|c Drew Campbell ; illustrations by Kis Knekt.
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| 250 |
|
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|a 2nd ed.
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| 264 |
|
1 |
|a New York :
|b Allworth Press,
|c [2004]
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| 264 |
|
4 |
|c ©2004
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| 300 |
|
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|a xi, 273 pages :
|b illustrations ;
|c 23 cm
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| 336 |
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|a text
|b txt
|2 rdacontent
|
| 337 |
|
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|a unmediated
|b n
|2 rdamedia
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| 338 |
|
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|a volume
|b nc
|2 rdacarrier
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| 340 |
|
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|p illustration
|2 rdaill
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| 504 |
|
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|a Includes bibliographical references (pages [263]-264) and index.
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| 505 |
0 |
0 |
|t Introduction : why this book --
|t General notes --
|g 1.
|t Breaking it down : who does what.
|t Costumes ;
|t Props ;
|t Lighting ;
|t Sound ;
|t Stage management ;
|t Scenery --
|g 2.
|t Touring a new space : what to look for.
|t Is this the right space for you? ;
|t Space for stuff ;
|t Space for people ;
|t The rigging system ;
|t Masking ;
|t The lighting system ;
|t The sound system ;
|t Monitors and headsets --
|g 3.
|t Scenic design : space, texture, and the "big statement".
|t The big picture : the statement ;
|t How to read a script like a set designer ;
|t The backstage survival guide to reading a floorplan ;
|t Texture and color : giving the show a "look" --
|g 4.
|t The tools of scenery : surface, texture, and tricks.
|t A place to stand : platforms, stairs, and ramps ;
|t A surface to look at : walls, drapes, paint, and fabric ;
|t Real things : doors, windows, and so on ;
|t Moving stuff around : gripping, rolling, and flying ;
|t The backstage survival guide to scene-change choreography ;
|t Playing with the audience : special effects and illusions --
|g 5.
|t Lighting design : illumination, mood, and focus.
|t Illumination : first and foremost ;
|t Motivational light : time, place, and season ;
|t Mood and atmosphere : angles and color ;
|t Creating focus : specials and follow spots ;
|t Where the show is (and isn't) : house lights and actors in the audience ;
|t Moving the show forward : cues, timing, and blackouts ;
|t Lighting for dance ;
|t Lighting for musicals ;
|t Lighting for fashion ;
|t Video lighting ;
|t Lighting for rock-and-roll.
|
| 505 |
0 |
0 |
|g 6.
|t The tools of lighting : now you see it-- .
|t The birds and the bees : where does power come from? ;
|t Protecting yourself ;
|t Highways and byways : outlets and plugs ;
|t Taming the beast : dimmers and control consoles ;
|t The real workers : lighting instruments ;
|t Intelligent lighting instruments ;
|t Fluorescent lighting ;
|t Special effects lighting ;
|t Color my world : the joy of filters ;
|t Putting it in the theater : lighting positions --
|g 7.
|t Costume design : character, period, and function.
|t Character ;
|t Period ;
|t Function ;
|t The costume sketch --
|g 8.
|t The tools of costumes : shopping, draping, and stitching.
|t Building ;
|t Buying ;
|t Renting ;
|t Pulling ;
|t Fittings and measurements ;
|t Fabric augmentation ;
|t Dealing with hair ;
|t One final note --
|g 9.
|t Sound design : audible atmosphere.
|t The signal chain ;
|t Microphones : the testy toddlers of sound ;
|t The backstage survival guide to keeping microphones happy ;
|t Other sources : tape decks, CDs, DAT ;
|t Mixers : telling the sound where to go ;
|t Effects processing : sound sculpting ;
|t Amplification : we're going to pump you up ;
|t Speakers : the bottom line --
|g 10.
|t Show control : why can't we all get along?
|t Synchronous versus asynchronous ;
|t Event-based versus time-based ;
|t Interfaces ;
|t Dedicated show-control computers ;
|t MIDI show control ;
|t PC versus PLC ;
|t Entertainment protocols.
|
| 505 |
0 |
0 |
|g 11.
|t Properties : research, detail, and crafts.
|t The artisan ;
|t The detailer ;
|t The researcher ;
|t Making the prop list : when to buy, borrow, or build ;
|t Setting up the prop list ;
|t Furniture : why the stage isn't like real life ;
|t Weapons : safety and proper handling ;
|t Handling props during the show : prop tables --
|g 12.
|t Stage management : the best port in a storm ;
|t Communication : the central issue ;
|t From coffee shop to load-out : schedules ;
|t Lists and lists and lists of lists ;
|t Preparing the rehearsal space and running rehearsals ;
|t The actors' backstage survival guide to tech rehearsal ;
|t Opening night and the run ;
|t The payoff : calling the show --
|g 13.
|t Corporate theater : how to do a show in a hotel.
|t Lighting : trees, trusses, and the demon track light ;
|t Sound : plug and play, or truck it in ;
|t Scenery : four feet by whatever ;
|t Projectors and projection systems ;
|t Playing twenty (or more) questions : things to ask and to know --
|g 14.
|t The essentials : things you should know and things you should own.
|t Things every theater person should know ;
|t Things every show person should own ;
|t Things every show place should own --
|t In closing --
|t Glossary.
|
| 650 |
|
0 |
|a Theaters
|x Stage-setting and scenery.
|0 sh 85134593
|
| 650 |
|
0 |
|a Stage management.
|0 sh 85127249
|
| 650 |
|
7 |
|2 fast
|0 (OCoLC)fst01131328
|a Stage management.
|
| 650 |
|
7 |
|2 fast
|0 (OCoLC)fst01149404
|a Theaters
|x Stage-setting and scenery.
|
| 852 |
0 |
|
|c Getz Stacks
|g books
|j PN2091.S8C28 2004
|p 37684001078963
|s Available
|
| 856 |
4 |
2 |
|3 Table of contents
|u http://catdir.loc.gov/catdir/toc/ecip0413/2004000851.html
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|a Berklee
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